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ATUONA

Film #9 · 2:38 · 2026 · 23 shots · English · 16:9 · stereo · 1080p master

A woman who will not whiten, a witness who is not a lover, and an island that sells everything, even a tear, by the lot.

Synopsis

Kira and Ule stand apart before a bare gallery wall where Paradise should hang. She kisses the frost on a window, floats on black water and goes under, wakes, and finds her reflection living a different hour in the mirror.

On the jetty Jean-Marc Dupont walks in with Mila, the face of a Saint Laurent campaign, his palm on her waist like a lot with a pre-sale estimate. A storm, an emerald clasp, a cage built for two, a tear that falls and becomes an auction lot. Salt on Ule’s skin like maps of countries that don’t exist. Not a lover. A witness. It ends on black volcanic sand: “I will not whiten.”

Adult in mood, never explicit. On screen and in the voice: English. Every stanza is the poet’s own English, unchanged. Each poem opens in the vault.

Poems in the film

Credits

Poems, direction, edit
Kira Velerevich (Elena Revicheva)
Characters
Kira; Ule, a Norwegian collector; Mila and Jean-Marc
Image
Keyframes from the cast’s reference portraits: Seedream v5 Pro, GPT Image, Nano Banana Pro, Grok Imagine (Venice)
Motion
Kling O3 Pro (Venice) · one shot by Luma
Voice
OpenAI tts-1 (onyx), the studio’s narrator
Music
“Basement” — an original track generated for the film with ElevenLabs Music
Text and glitch
Every stanza whole, in the poet’s words, set in Syne and arriving with the voice; a glitch that tears across every shot
Before a bare gallery wall: “What about the painting?” she asked. “Paradise?”
Before a bare gallery wall: “What about the painting?” she asked. “Paradise?”
Mila on the window seat: “I remember Modigliani’s line: When I know your soul, I will paint your eyes.”
Mila on the window seat: “I remember Modigliani’s line: When I know your soul, I will paint your eyes.”
“Ule wiped his face. Salt left white trails on his skin — like maps of countries that don’t exist.”
“Ule wiped his face. Salt left white trails on his skin — like maps of countries that don’t exist.”